Alexandra Climent
Alexandra Climent is a grassroots environmentalist, explorer, artist and founder of the nonprofit Endangered Rainforest Rescue. She has dedicated over seven years of fieldwork to locate, source, and track the presence of endangered tree species within Panama's Darién Gap. Her work combines scientific expertise with a deep respect for indigenous knowledge, collaborating closely with local communities. True sustainability is the primary ethos of her artistic practice. Her work is defined by a holistic cycle of use and restoration. From the sourcing of these materials to their art production - creating functional art in the form of fine furniture and sculpture with some of the densest and most rare wood in the world - and lastly to the reforestation of these species.
Describe the nature around you at the moment.
I am currently in Panama City, Panama. Typically, when I'm on expeditions, I’m deep in the rainforest. However, this week, I find myself in the heart of the city amidst the people of Panamá who have taken to the streets in protest against a mining contract that has been approved. The city streets are lined with tropical trees - the sound of rain and birds chirping serve as a reminder that the rainforest isn't far away. As I observe humanity pouring into the streets with hearts full of determination to protect the nature that envelops this country, I'm overwhelmed with pride for the example this country is setting for the world and for nature. I am surrounded by human nature to protect our planet.
Name a place where you feel most at ease.
The rainforest and the ocean are where I feel most at ease. The combination of both can be found in Playa Muerto, a community on the Pacific coast of Darién. Being surrounded by the rainforest and the ocean is such a powerful force, with life so vibrant on both sides.
What lessons have you learned from rainforests?
The rainforest has emphasised the importance of respect - a recognition that it is a powerful and intimidating force. Yet, by taking only what you need and approaching it with gratitude, it becomes a guiding presence. Working closely with Indigenous communities has revealed their symbiotic relationship with the forest, where they take only the minimum necessary, a principle I wish my society had embraced long ago. The rainforest has also humbled me with its overwhelming power. Deep within the canopy, I've realised just how small we are.
How can we understand ourselves as part of nature?
We are inherently a part of nature, a truth that becomes evident as I observe people taking to the streets to protect their natural surroundings. Like Indigenous communities who have long served as Earth's guardians, we too can embrace this role. I don't believe that human greed is intrinsic - rather, it's often fostered by the systems in which we live. To foster a more harmonious relationship with the natural world, we must rekindle our connection to it, understanding its immense power and the urgency of its preservation.
Name a TV series, film or documentary that blew your mind.
Tawai: A Voice From the Forest.
How does nature inspire your artistic practice?
From the very beginning, my artistic practice has been driven by nature. Starting with the discovery of fallen trees on the jungle floor and later bringing them to New York to sculpt by hand - the material itself serves as the inspiration and a means to showcase their origin. The durability and beauty of these materials stand as a true representation of the rainforest. I rely solely on my hands to transform it into a vision that allows others, who may never have the opportunity to visit the rainforest, to experience its essence and beauty.
What do you think is the future of climate change? (question from #TheNatureKind interview with photographer Tamary Kudita)
When considering the future of climate change, I must admit that my optimism has wavered, observing how many wealthy nations have failed to take significant action. The prevailing systems have remained largely unchanged, and it's evident that systematic change is necessary to combat this global challenge. However, my recent experiences in Panamá, witnessing people in the streets fighting against mining, has given me optimism for the first time. I place less emphasis on hope alone, as I believe that real change requires concrete action. The individuals rallying in the streets against destructive practices provide tangible hope that collective action has the power to make a difference. This week's events serve as proof of the potential for change when there is collective action
What question would you like to ask the next person on #TNK?
How would you describe human nature?
And could you suggest someone else or other organizations you admire that we could approach for #TheNatureKind?
I would like to nominate Aubrey Baxter. Aubrey is an activist, photographer and co-founder of Movimiento MiMar and Ya Es Ya from Panamá. He is also an ambassador for "One Tree Planted". He has been a big figure in organising the protests in Panamá against the devastating mining contract from First Quantum Minerals
