#THENATUREKIND
Will Burns was named as one of the Faber and Faber New Poets for 2014. His first full collection, Country Music, was published in 2020, and his debut novel, The Paper Lantern, was published in July 2021. He was named as one of The Observer’s Top 10 Debut Novelists of 2021 and is the OmVed Gardens poet in residence.
Describe the nature around you.
I’m in my writing shed looking out of a window onto my garden. There have been robins, blackbirds and great tits flitting around all morning, long-tailed tits in the big elder that is right in the middle of mine and my neighbours fence. A blackcap in the pond an hour or so ago too and the usual wood pigeons waddling around. In terms of plants its snowbells and hellebores and just the start of a few green shoots here and there else. Plenty of what some people would call weeds too...
What lessons have you learned from nature?
I’m not sure if this counts as a specific ‘lesson’, but I do know that when I’m watching something in the natural world - and it could be something quiet quotidian like a red kite soaring over the village while I’m out buying milk - I just get this addictive little rush of contentedness which I think comes from a sort of in-the-moment understanding of the fact that the world is alive with so much other stuff than you and your worries, that it carries on, in its own brilliance, regardless. Perhaps this sounds perverse, but there’s something incredibly comforting to me, every now and then, to have this live reminder that I mean nothing at all in the grander scheme of things like red kites and bluebells and beech trees.
How can poetry heal ourselves and our communities?
Of course WH Auden wrote that ‘poetry makes nothing happen’, and to me that ’nothing' always seems to be an important part of what I think poetry does as a kind of rejection of, or alternative mode of thought to, our constant cultural insistence on economic growth and progress, whatever that might mean.
Poetry allows us the luxury of speech - heightened speech - about our lives, and our environment, allows us to build cognisance of those things that is to do with words and noticing, and to do with care. I don’t know about healing, really, but I think care is a good place to start.
What role could poetry play in the midst of our climate crisis?
I think it can provide access points to ways of thinking that are complicated, and so by definition refuse the over-simplification of thought that has brought us to this point. Simple ideas that have become orthodoxy such as ‘capitalism just works’, or marketing jargon, or meaningless rhetoric… poetry is the opposite of all that, in terms of how it approaches language, and so if it does have a role to play, a bit if perhaps, then it could be that it gives permission for complex thought, for complex speech.
How does nature guide your practice?
I suppose it's to do with how big a part nature, or the non-human world, plays in my everyday life. I walk every day and that’s a vital part of how I write, but I’d do it (the walking) anyway, and the same goes for the garden and the allotment and bird-watching and everything else. That’s all the life, which is the practise.
Which song, book or poem nurtured your relationship with nature?
My grandfather was probably my biggest influence in terms of learning about birds and animals, fishing… all that stuff. And this is going to sound rather paradoxical now, but he loved a book by Jim Corbett called The Man-Eaters of Kumaon. Corbett was a tracker and hunter who wrote about his experiences killing man eating tigers and leopards in India. Obviously there are huge problems with so much of the world he wrote from and into, but as a kid those stories kindled my love for the outdoors and wildlife.
Name a TV series, film, podcast or documentary that blew your mind.
Is it obvious to say anything David Attenborough has ever made? I’m not a huge TV or podcast or film person to be honest, but I’d happily re-watch any of his series. Particularly the birds. Anything involving birds has me hooked, I’m afraid...
Name a place where you feel most at ease.
The garden here in my cottage in Buckinghamshire. But in the interests of honesty, I’d also have to say my local pub.
Which rituals do you practice to keep you grounded?
I think probably walking is the closest thing I have to a ritual. I also think ritual plays a big part in the appeal of sports, but I’m too old for football or cricket these days sadly. The little rituals of marking out your run-up, shining the ball, packing your kit bag, cleaning your boots... those things still give me pleasure, though, even as memories.
What initiative have you heard of recently and you’d like everyone to support?
I live in the Chiltern Hills, and the most disheartening, locally meaningful, environmental issue is the constant degradation of our rivers in this country, particularly the chalks streams, of which we have a significant number in these hills. Chalk streams are a globally rare habitat, a wonderfully distinctive feature of the English countryside, and I think we should be doing all we can to preserve them. So I’d recommend visiting Charles Rangeley-Wilson’s website (https://chalkstreams.org) where there are details of lots of initiatives and projects.
Could you suggest someone else or other organisations you admire that we could approach for #TheNatureKind
I think Charles would be a good person to approach. He’s incredibly knowledgable, with a writing and conservation career to draw upon.
You can find out more on Will's website.
Naoko is a curator of contemporary art. Born in Fukuoka, she currently lives in Oban. Since initiating her own curatorial practice WAGON in 2014, Naoko has realised many forms of collaborative art projects in locations including Orkney Islands, Yamaguchi, Taipei and Sao Paulo. Driven by her lived experience as an ethnic minority immigrant in the UK, she aims to weave relationships among differences through being affective, responsive and responsible for the historically underrepresented voices and pressing issues that are specific to a focused context, locality or community.
In 2022, Naoko became a trained Climate Fresk facilitator. Since 2021, she has been leading Take One Action's Film Club in Oban with Oban Phoenix Cinema, Oban Youth Cafe, and an environmental social scientist Dr Leslie Mabon, offering a series of environmental justice film screenings and discussions, primarily for local youths. Naoko conducted the On Tidal Zones residency hosted by Skye’s ATLAS Arts and CLIMAVORE in 2021, and is the co-lead of EcoCreative Cluster project focusing on nature-derived materials and natural dyeing techniques.
Helen Turner is the joint Artistic Director of E-WERK Luckenwalde. Turner holds an MA in Psychosocial studies from Birkbeck University of London under Slavoj Žižek and a BA in Fine Art from Chelsea College of Art, London. Previously Helen was the Chief Curator at Cass Sculpture Foundation and has worked for Artangel, Kinman Ltd and ran her own curatorial platform AGENCY AGENCY.
E-WERK was built in 1913 as a coal power station. For over 60 years the power station produced and supplied coal-powered energy to the city of Luckenwalde and beyond. In 2019, Performance Electrics transformed E-WERK Luckenwalde into a renewable Kunststrom power station and contemporary art centre.
Burn Out, a summer symposium, takes place at E-WERK Luckenwalde from 1-2 July.
Born and raised in France, Alice is an artist and Modern Languages postgraduate student at the University of Oxford. Alice started sharing her drawings after being diagnosed with autism and ADHD, she aims to break stereotypes about gender, age, and race that surround autism and cause a lot of misunderstanding. She is the founder and president of the UCL autism society and has been involved in numerous talks and campaigns about neurodiversity, autistic women and mental health.
Josephine Marchandise is the Head of the Creative and No Waste Kitchen at Omved Gardens. Growing up in a farming family, passionate about cooking, gardening and regenerative food growing, Josephine has later rediscovered preservation and fermentation while trying to slow down and commit to a low waste lifestyle. From her favourite ingredient to experiment with at the moment, to what inspires her the most and her top three zero waste hacks in the kitchen, Josephine has shared it all with us.
Louis VI isn't one to sit on the sidelines, he aims to help give BIPOC communities a voice on climate justice. On his second album EARTHLING, the London rapper and climate activist is directly challenging the colonial legacy of climate change. Travelling to the Amazon gathering field recordings, giving speeches at COP26 and making award-winning shorts, his album condenses these experiences around his own Dominican heritage. EARTHLING is packed with nature-fuelled field recordings from Amazon storms, to UK forests and tropical birds on Mexican coasts. It’s also stacked full of features from the friends and musicians that surround Louis - including Lex Amor, Oscar Jerome, Moses Boyd, Bluestaeb, Alex Cosmo Blake and Mick Jenkins.
Photo credits: Carlos Martí @carlosmart1 and Dylan James Moore
Naomi researches how dynamic cultures interact with food and farming practices through migration. She is the author of the recently released report on racial justice in farming in the UK, Jumping Fences, a collaboration between Land In Our Names, Ecological Land Cooperative and Landworkers’ Alliance, funded by Farming the Future. The report presents the experiences of Black and POC farmers and growers in Britain.
She is also a gardener, ecologist, singer and educator.
The 'Jumping Fences' Report: Land, Food and Racial Justice in Britain
Rooting en route: how migration can fix a broken food system
Tej is the assistant food grower and The Seed Saving Network coordinator at OmVed Gardens, a gardener, scholar and interdisciplinary artist. His thinking weaves together various strands, including growing and being in 'nature' as an act of centring wellbeing; the power of social movements in our present time of several overlapping climate and social crises and ways of being and bearing witness to a world fundamentally changed by anthropogenic climate change. In the pre-pandemic world, Tej pursued formal training in Dramaturgy at the Royal Central School of Speech and Drama, while there were parts of that world he enjoyed, he never felt at peace. The pandemic, like for countless others, forced him to pause and rethink, leading him to refind gardening and growing.
Rosanna Morris' linocut and woodcut illustrations are traditional yet contemporary, delicately floral and yet full of the power and strength of revolution. She studied illustration in London and works from her studio in the southwest of England. When not drawing or creating prints you can find her working her allotment or tending to her three wild children. The illustrations below were created for the Landworker’s Alliance On Common Ground Calendar 2023.
Claire Ratinon is an organic food grower and writer based in East Sussex. She has worked in a range of roles from growing produce for the Ottolenghi restaurant, Rovi to delivering growing workshops and talks to audiences including East London primary schools, community centres and educational institutions. Claire is passionate about the act of growing plants - especially edible ones - and the potential for it to be nourishing, connecting and healing. Her second book Unearthed: On Race and Roots, and How the Soil Taught Me I Belong was released in June 2022. Portraits by Christian Cassiel / @christiancassiel
Judith Alder is a British visual artist with a multi-faceted practice, working across a range of media and processes informed by science. Her work is directed by her premise on the process of evolution in the 21st century; that scientists can create and manipulate biological life, technologists are creating artificial life, inanimate objects often appear to take on a life of their own, and some things seem to be neither dead nor alive.
She has exhibited in The Freud Museum, London and Towner Art Gallery, Eastbourne and was shortlisted for The Jerwood Drawing Prize 2012. In 2015 she was nominated for The Drawing Room Bursary Award. Her solo Vital Signs, curated by Sanna Moore, will be held at The Royal Society of Birmingham Artists Gallery from 14 to 25 February 2023 and has been funded by Arts Council, England.
Sui Searle (she/her) is a gardener, writer and printmaker. She has worked in botanic, public, private and community gardens as well as having spent a short period writing for gardening magazines. She is the founder of @decolonisethegarden which focuses on bringing a decolonial lens and anti-racism perspective to horticulture and is editor of the online gardening newsletter, Radicle.
Talia Woodin is a youth activist, photographer and filmmaker based in the UK. She’s spent the past four years organising with various campaigns within the climate and environmental movement, including spending a year living on and documenting the frontline environmental defence campaign against HS2 (a destructive high-speed rail infrastructure project). She has recently re-released her debut short documentary COP-out, exploring the youth climate justice movement's participation with COP and is currently organising with The Resistance Exhibition.
Love Ssega is a musician and artist. He is currently Artist in Residence for Philharmonia Orchestra and his work as the original frontman and founding songwriter for Clean Bandit landed in the UK charts and has also been performed globally. The multi-arts 2021 commission ‘Airs of the South Circular’, highlights the impact of air on the Black community in South London, and reached 100,000 of his local London Borough of Lewisham’s 300,000 residents.
His Live + Breathe campaign in saw Love Ssega collaborate with local community groups in Southwark and Lambeth and record a new piece ‘Capes For Blue Skies’ with the Philharmonia Orchestra. As a result of his work and advocacy, he was invited to speak at United Nations COP26 in Glasgow. Love Ssega is currently a Trustee of Shadwell Opera, Brian Eno-led music climate initiative EarthPercent and was also awarded the Arts Foundation Music For Change Fellowship in 2022. (Photo credits: Ben Millar Cole and Sophie Harbinson)
Talia Chain founded Sadeh, the UK's Jewish farm and land-based community in 2017. As the director, Talia's role includes working on the land, teaching on Sadeh Farm's fellowship programme, running education and volunteer sessions and fundraising for Sadeh's environmental and educational projects. She is currently raising £100,000 for Sadeh Farm to increase access to nature for all.
David Reeve is the co-editor and co-founder of Where the Leaves Fall magazine and a filmmaker with various music videos and films, including Y/our Music and Minute Bodies: The Intimate World of F. Percy Smith, under his belt.
Ruth Andrade from Lush's Regenerative Impact team, has a masters in Advanced Environmental and Energy Studies. She is a trustee and co-founder of Re.Alliance, a collective of practitioners bringing regenerative design to the humanitarian and development sectors; and a co-creator of Regenerosity, an initiative with a mission to flow resources, enable learning and share stories to grow the regenerative movement in partnership with funders and grassroots initiatives. Originally from Brazil, Ruth grew up in a concrete jungle, witnessing first-hand the destruction of the natural environment which prompted an early interest in environmental issues and fuelled a great passion for driving change.
Dr Delfina Fantini van Ditmar is a biologist, design researcher and Senior Lecturer at the Royal College of Art. Her practice is concerned with ecological thinking, reflective practices, epistemological paradigms and alternative futures. Delfina has been a visiting lecturer in several institutions, including The Bartlett, Architectural Association, Manchester School of Art, University of Brighton and the University for the Creative Arts among others. As a part of the Design Museum and Future Observatory's Design Researchers in Residence Programme, Delfina is responding to environmental collapse from a systemic perspective with research examining dematerialisation. Portrait by Pierre Bailly and exhibition photographs by Felix Speller.
Samuel Iliffe is a design engineer focused on the use of innovative materials and processes to address everyday problems. As a part of the Future Observatory Design Researchers in Residence programme hosted by the Design Museum, Samuel is exploring the issue of water pollution and eutrophication in the UK, with a focus on the role that algae play. Photographs courtesy The Design Museum.
Niellah Arboine is a writer, editor and broadcaster born and raised in south London. She is an original member of gal-dem and the deputy editor at Where the Leaves Fall. Niellah has written for the likes of Vogue, Guardian, House & Garden, Vice and Time Out London. She has contributed to Daunt Books’ In the Garden: Essays on Nature and Growing, and was shortlisted for the Nan Shepherd Prize 2021 for nature writing.
Will is a photographer, producer and director who works across several fields from music photography to commercial film production. He is a member of Forest Studio, a boutique creative studio based in east London. He enjoys long-distance running, improv comedy and owls.
Ellen is a public speaker, activist and guerrilla gardener who founded Nature is a Human Right, the campaign to make access to green space a universal right. She also edited the book Nature is a Human Right: Why We're Fighting For Green in a Grey World (DK 2022) and founded Dream Green, the social enterprise that empowers people to become guerrilla gardeners.
Susanna Grant is a planting designer who specialises in plants for shady spaces. She runs Linda, a dappled courtyard space in London’s Hackney that sells shade-loving plants for sills, balconies, courtyards and gardens. She has also written the Bloom Gardener's Guide - Shade - Work with the light, grow the right plants, bring dark corners to life. Portrait by Aloha Bonser Shaw.
Darren Appiagyei is a woodturner based in London, UK. He graduated from UAL Camberwell College of The Arts where he studied 3D design. His practice is about embracing the intrinsic beauty of wood, be it knot, bark or grain. Photos by Will Hearle and Thomas Broadhead.
Tijana Lukovic is a Belgium based illustrator whose artworks contain traces of folklore, mythology and a love for nature. Her images are rooted in the changing seasons and her inner world as she explores the forest of her childhood memories.
Jini Reddy is a writer and journalist, and is the author of Wanderland which was shortlisted for the Stanford Dolman Award for Travel Book of the Year, and for the Wainwright Prize for UK Nature Writing. She’s also contributed to the landmark anthology Women on Nature, and before that, Winter. As a journalist and travel writer, Jini has written for publications including The Guardian, The Times, The Telegraph, the Independent, TIME magazine, National Geographic Traveller, Resurgence and the Ecologist, and in 2019 was named one of National Geographic’s Women of Impact.
Jini has also written several texts for Where the Leaves Fall - her writing occupying a cross-genre space where place, spirituality, nature and culture meet.
Alice Vincent started to share her journey into gardening in 2014 with Noughticulture and has since written the books How to Grow Stuff: Easy, No-Stress Gardening for Beginners (2017) and Rootbound: Rewilding a Life (2020), and written and read the audio guide Seeds from Scratch (2020).
Photographs by Camilla Jørvad, except the balcony and book cover images which are by Alice Vincent.
Zayaan Khan is an artist whose work finds a resting place through food as a means of understanding the world, particularly seed, land and our collective heritage. Her Instagram page notes that "injustice anywhere is a threat to justice everywhere" and she also runs the Seed Biblioteek - reconnecting seed with story, towards resilience and sovereignty. As she notes: "Seed is our land, heritage and future".
Amelia Rouse is from Barbados. While she studied civil engineering, her first love is illustration and she produces beautiful work in pen and ink with an emphasis on nature. She’s been illustrating for Where the Leaves Fall since issue #3.
Vicky Chown is a medical herbalist, forager and gardener. She teaches permaculture and urban food growing in Queen’s Wood Community Garden and OmVed Gardens in London - where she also co-organises The Seed Saving Network - a biodiverse community of seed savers in London and across the United Kingdom.
Vicky also co-runs, alongside Kim Walker, The Handmade Apothecary, a foraging and herbal educational project. Together they have co-authored two books: The Handmade Apothecary and The Herbal Remedy Handbook.
Karen Leason is the director and founder of OmVed Gardens, a garden, exhibition space and sustainable food project in north London, which aims to re-establish the connection between the urban population, food and nature.
A partner of the UN World Food Programme and Chefs Manifesto, OmVed aims to educate and inspire conversations around sustainable food practices and ecological transformations. Committed to foster creativity and community-led change, OmVed Gardens plays host to an inspiring collective of artists, creatives, horticulturalists and chefs. Follow @omvedgardens to find out more and join their upcoming events.
